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1000 Invisible Things

Gabrielle Senza Investigates the Unseen

Visible Invisibility
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Mona Hatoum

November 1, 2016

moh-13-dr-124_cc

Mona Hatoum

Untitled (brain 3) 2013
carbon transfer on silk velvet
10 1/2 x 11 5/8 in/27 x 29.5 cm

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Javier Téllez: Letter on the Blind, For the Use of Those Who See

Notes from Studio Advisor Meeting with Jean Marie (on 10/18/16)

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Irony & Idealism April 21, 2022
Women Making the Invisible Visible in the USA March 30, 2021
Invisible Things: Courage & Solidarity January 21, 2021
READING JOURNAL / WORKSHOP NOTES: The Translocal Neighbourhood with Michael Bowdidge August 1, 2020
READING JOURNAL / WORKSHOP NOTES: The Unambitious Stripper with Isabel Lewis August 1, 2020
How to Disappear July 16, 2020
One of my favorite invisible things: Petrichor July 16, 2020
Protected: Studio Process Documentation May 27, 2020
MCP506 Final Paper May 15, 2020
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Protected: ÉDOUARD GLISSANT: The poetics and politics of liberation May 2, 2020
Protected: MFA Paper – Version #2 April 19, 2020
Protected: Revised Draft MCP506 Project Report April 19, 2020
Protected: MCP506 DRAFT PAPER March 15, 2020
Process Notes on Creating Performative / Exhibition Experiences February 27, 2020
Protected: 2020 Group Crit Post February 27, 2020
Ajamu Kojo: Black Wall Street Portraits February 26, 2020
HEAVEN / FALLEN MOON FALLEN STARS February 25, 2020
Protected: Judith Butler: Reshape Our Rage February 13, 2020
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Protected: MCP505 Intro Paper February 10, 2020
Protected: Invisible Industrial Secrets February 9, 2020
Protected: Karen Barad, On Touching February 8, 2020
Protected: Advisor Call w/ Nathalie & Elena – 5 Feb. 2020 February 6, 2020
The Language of Being is Wordless February 1, 2020
Protected: Advisor Call with Elena – 3 Jan. 2020 January 3, 2020
Protected: MCP504 – Proposal Year 2 (Revised & Updated) November 21, 2019
Protected: What Is Nominalization in English Grammar? November 20, 2019
Protected: How To Become Invisible November 20, 2019
Protected: Suggestions for iLab Project Report November 13, 2019
Protected: Visa applications: emotional tax and privileged passports October 20, 2019
How to truly listen | Evelyn Glennie October 14, 2019
Invisible Made Audible: Percussion October 14, 2019
Protected: Museum of Non-Visible Art January 9, 2019
Living Laboratory January 9, 2019
Social Belonging January 4, 2019
Once you see it, you can’t unsee it… December 11, 2018
Invisible Things: Entitlement November 23, 2018
Protected: The Sound Stage of the Mind:Imagined Sounds and Inner Voices November 1, 2018
Protected: Life through the lens of a blind photographer September 27, 2018
Protected: Invisible Things: Presence September 5, 2018
Protected: Invisible Things: The Magic of Anne Arden McDonald September 5, 2018
Protected: Invisible Things: Prison Labor September 3, 2018
Protected: Invisible Things: The Galaxy September 3, 2018
Protected: Invisible Things: Time September 1, 2018
Protected: Invisible Things: Semantics August 22, 2018
Protected: Invisible Things: Resistance August 22, 2018
Protected: Invisible Things: Separation August 22, 2018
Protected: Invisible Things: Strontium-90 August 22, 2018
WALKIN’ WITH WORDXWORD AT THE MOUNT August 22, 2018
Protected: Invisible Things: Diabetes August 9, 2018
Protected: Albert Camus – a timeless seer of truth August 9, 2018
Upcoming Projects… August 8, 2018
Protected: Regrets belong to everybody, don’t they? August 8, 2018
Invisible Things: 11.16.17.02 August 7, 2018
Invisible Things: 11.16.17.01 August 7, 2018
Invisible Things: 05.08.18.02 August 7, 2018
Invisible Things: 05.08.18.01 August 7, 2018
Protected: Invisibility Lab: LAB REPORT – 05 AUGUST 2018 August 7, 2018
Protected: Narrative-based Research Analysis August 7, 2018
Protected: Pimpette’s Performing Business August 3, 2018
Protected: Performing Behala August 3, 2018
Read, Reflect, Experiment August 2, 2018
Antidisciplinary? April 30, 2018
Is Water Invisible? April 27, 2018
Fictocritical Maps? April 7, 2018
INVISIBILITY LAB to Host Open Engagement 2018 – Dinner Conversation March 21, 2018
Protected: March Crit Group/Process Post March 7, 2018
Borders… A Case for Getting Rid of Borders March 6, 2018
Invisible Capital March 4, 2018
Iowa Lakeside Lab Residency March 2, 2018
Mildred’s Lane March 1, 2018
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Define American February 19, 2018
Uta Barth – Photographer February 17, 2018
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Protected: Performance Philosophy February 16, 2018
Protected: A Trip to Binghamton, NY? February 16, 2018
Protected: February Process Blog February 15, 2018
Branah January 2, 2018
The Man Helping Dubai Pivot from Oil to Art January 2, 2018
Applying for Things – Rivet January 2, 2018
Protected: Stink Bugs and clarifying insights January 2, 2018
The Fox’s Secret January 2, 2018
Protected: ALTERNATIVE RESIDENCY PROPOSAL January 1, 2018
White Washing as Erasure – Titus Kaphar December 19, 2017
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Making Invisible the Visible November 21, 2017
Constructivism & Disequilibrium November 10, 2017
NY Mag: How to Make It in the Art World November 9, 2017
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Intersectionalty & Positionality November 8, 2017
Protected: NOV. 8 CRIT SESSION & PROCESS POST November 8, 2017
Protected: A Bumpy Re-Entry November 7, 2017
OCTOBER 18 CRIT SESSION POST October 17, 2017
INVISIBILITY LAB – BERLIN ART WEEK October 7, 2017
Taste Test – Berlin October 7, 2017
Life can really get in the way sometimes September 12, 2017
Protected: Lynn Book’s Challenging Questions/Notes September 6, 2017
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Workshop Notes – Performing the Archive July 27, 2017
Anne Frank Project July 27, 2017
Night of the Black Snow July 26, 2017
Michael Landy – Stuff and Nonsense July 26, 2017
READING DIARY: Artistic Research in the Era of Globalization (Butt) July 15, 2017
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Protected: MCP504 – Proposal Year 2 June 1, 2017
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Protected: Full Studio Documentation – M502 May 15, 2017
Protected: ‘We are the Uninvited’: Occupation, Activism, and the Canadian Media May 8, 2017
Protected: MCP503 FINAL PAPER (5/1/17) April 30, 2017
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SIN PAREDES : STORIA #1 March 29, 2017
(no title) March 18, 2017
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Paul Robeson HUAC Hearing March 15, 2017
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Protected: John Berger & Susan Sontag March 15, 2017
Protected: MCP503 Draft Paper March 15, 2017
Protected: MCP503 DRAFT PAPER March 15, 2017
The Yes Men’s Guide to Resisting Trump March 15, 2017
Protected: RESEARCH AS ART : Marguerite Humeau March 13, 2017
Protected: SHITTY FIRST DRAFT (NOTES) March 9, 2017
Protected: GETTING STARTED: The First Two Interviews March 6, 2017
Protected: MARCH PROCESS BLOG #2 March 6, 2017
Protected: MARCH PROCESS BLOG March 6, 2017
Protected: Ernesto Pujol March 1, 2017
Protected: Here’s a find… February 27, 2017
I Send You This Cadmium Red February 26, 2017
Protected: Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance February 23, 2017
February Process Blog (Part 3) February 15, 2017
Protected: MCP503 Intro Paper February 14, 2017
Protected: Notes from February Advisor Meeting with Elena (02.13.17) February 13, 2017
Girls quickly learn that a woman’s beauty can be a liability… February 11, 2017
Protected: Notes from February Advisor Meeting with Jean Marie (02.10.17) February 10, 2017
February Process Blog: INVISIBLE THING (PRINTS) February 10, 2017
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Protected: NYC Crit Notes from Mary Ting January 21, 2017
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Protected: January 2017: NYC Winter Residency Presentation January 18, 2017
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GABRIELLE SENZA | STUDIO LAB ELEVEN is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of GABRIELLE SENZA | STUDIO LAB ELEVEN must be made payable to Fractured Atlas only and are tax-deductible to the extent permitted by law. Learn more about supporting my projects here or click on the logo above.

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STUDIO LAB ELEVEN
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Great Barrington, MA 01230

Visible Invisibility Blog

I use this blog as a notebook, sketchpad, and digital scrapbook to help me develop my ideas for creating new bodies of work related to the unseen elements of experience and the imperceptible self. It contains images, thoughts, notes, recordings, and concepts for transforming new ideas into creative works that represent the phenomena of invisibility. It is also the place where I post entries for periodic feedback from my peers, colleagues, and mentors. Some posts are visible to the public, some are private, and others are password protected for my colleagues and collaborators.

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